| MOTION CAPTURE PRODUCTION-AC 694Z |
| Blue Lotus Project |
| project storyboard & shot list |
| group members joanne ziegler, boris willis, shana burns |
| storyboard | ||
| reads left to right | ||
| scene 1 | ||
![]() |
![]() |
![]() |
| shot 1 | ||
![]() |
![]() |
![]() |
| shot 2-blend | shot 3-blend | |
| scene 2 | ||
![]() |
![]() |
![]() |
| shot 1-blend | shot 2 | shot 3 |
![]() |
![]() |
![]() |
| shot 4 | shot 5 | |
![]() |
![]() |
![]() |
| shot 6 | shot 7 | |
| scene 3 | ||
![]() |
![]() |
![]() |
| shot 8-blend | shot 1-blend | shot 2 |
![]() |
![]() |
![]() |
| shot 3 | shot 4 | |
![]() |
![]() |
![]() |
| shot 5 | ||
![]() |
![]() |
![]() |
| shot 6 | shot 7-blend | |
![]() |
![]() |
|
| shot 8-blend | ||
| shot list | ||
| scene 1 | ||
| shot 1-RL0101-Boris | seated figure to arms raised & extended | |
| shot 2-RL0102 | rising figure w' arms extended | blend |
| shot 3-RL0103 | rotate torso | blend |
| scene 2 | ||
| shot 1-RL0201 | standing figure | blend |
| shot 2-RL0202 | crouch pose | |
| shot 3-RL0203 | pointed toe & arm-right | |
| shot 4-RL0204 | reaching high | |
| shot 5-RL0205 -Shana | pointed toe & arm-left & arch back | |
| shot 6-RL0206 | rotate to stride pose w/ arched back | |
| shot 7-RL0207 | rotate to left leg balance | |
| shot 8-RL0208 | complete revolution to arabesque | blend |
| scene 3 | ||
| shot 1-RL0301 | passe' | blend |
| shot 2-RL0302 | flex arms high to punch low | |
| shot 3-RL0303 -Joanne | reach high | |
| shot 4-RL0304 | stride forward-right | |
| shot 5-RL0305 | rotate to modified da vinci pose | |
| shot 6-RL0306 | contract | |
| shot 7-RL0307 | collapse to floor | blend |
| shot 8-RL0308 | rise to full standing holding fire | blend |
Our first meeting yielded many excellent possibilities for motion as Boris improvised movements from which to choose As the project continued, we were able to hone and further fine tune our choices click for link to comments click for the final movie
|
April 19 2005 Motion Capture session Brian Windsor assisting Boris Willis' suiting-up and checking markers Brian and Shana Burns calibrating with L-Frame Boris in T-Pose |
|
| joanne used an artist's articulated wooden model as storyboard in order to convey ideas. |