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Click the titles to download [doc files]
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| Essays | Woman, Feminine, Modern: Loie Fuller's Turn of the Century Flair |
| Viewing the View of Movement and Depth in Late Spring | |
| Performing Presence in Body and Image | |
| Grants & Proposals | AGGRS Grant Proposal | Grant Proposal Abstract | Submitted Vita |
| AGGRS 2005 Application [pdf] | |
| where is tokyo? Proposal | Project Bibliography | |
| Press Releases | The Birdwomen of the Lonely Fjord |
| Criticism | Persuasion |
| Antic Meet | |
| Sarajevo | |
| MFA Concert Review | |
| Precis, Summaries, and Responses | Albright, Ann Cooper. “Dancing Bodies and the Stories They Tell,” in Choreographing Difference: the Body and Identity in Contemporary Dance. Middletown, CT: Wesleyan U P, 1997, 119-149. |
| Benjamin, Walter. "The Work of Art in the Age of Mechanical Reproduction." Illuminations Ed. Hannah Arendt. Trans Harry Zohn. NY: Schocken, 1969. | |
| Carroll, Noel. Philosophical Problems of Classical Film Theory. Princeton: Princeton U P, 1988. Arnheim, Rudolf. Film As Art. Berkeley: U of California Press, 1957. | |
| Cubitt, Sean. “Entrée: The Object of Film and the Film Object.” The Cinema Effect. Cambridge, MA: MIT Press, 2004, 1-12. | |
| Davis, Martha. Towards Understanding the Intrinsic in Body Movement. New York: Arno Press, 1975. | |
| Dempster, Elizabeth. “Women Writing the Body: Let’s Watch a Little How She Dances.” Bodies of the Text: Dance as Theory, Literature as Dance. Eds. Ellen Goellner and Jacqueline Shea Murphy. New Brunswick: Rutgers U P, 1995. | |
| Dixon Gottschild, Brenda. “Stripping the Emporer: George Balanchine and the Americanization of Ballet.” Digging the Africanist Presence in American Performance: Dance and Other Contexts. Westford, CT: Greenwood Press, 1996. 59-75. | |
| Easthope, Anthony. Introduction to Contemporary Film Theory. Longman Critical Readers. New York: Longman Publishing, 1993, 1-23. | |
| Gunning, Tom. “Loïe Fuller and the Art of Motion: Body, Light, Electricity and the Origins of Cinema.” Camera Obscura, Camera Lucida. Allen, Richard and Malcolm Tulvey, eds. Amsterdam: Amsterdam U P, 2003. 75-90. | |
| Jowitt, Deborah. “The Veil of Isis.” Time and the Dancing Image. Berkeley: U of California P, 1988. 125-147. | |
| Münsterberg, Hugo. The Film: A Psychological Study – The Silent Photoplay in 1916. New York: Dover Publications, 1970. | |
| North, Marion. Personality Assessment through Movement. London: Macdonald & Evans, 1972. | |
Sobchack, Vivian. “Phenomenology and the Film Experience.” Viewing Positions: Ways of Seeing Film. Ed. Linda Williams. New Brunswick, NJ: Rutgers, 1997, 36-58. |
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| Sobchack, Vivian. “The Scene of the Screen: Envisioning Cinematic and Electronic “Presence”.” Caldwell, John. Ed. Theories of the New Media. London: Athlone, 2000. 137-155. Tschumi, Bernard. Introduction. The Manhattan Transcripts. 1981. |
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| Spadoni, Rob. “The Uncanny Body of Early Sound Film.” | |
Wolff, Janet. “Reinstating Corporeality: Feminism and Body Politics.” Meaning in Motion: New Cultural Studies of Dance. Ed. Jane Desmond. Durham, NC: Duke U P, 1997, 81-99. |
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